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Instead, Rios assures her that they’re “the good guys,” but she makes an apt point that the good guys rarely have to tell you that they’re the good guys. Teresa tries to get Rios to tell her the truth, but of course, he can’t. Maybe it has something to do with all of his transplants? He is, after all, a synthetic human.
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She does her best to try to patch Picard up, but her defibrillator blows a fuse when she attempts to use it on him. However, Teresa ( Sol Rodriguez) is not entirely thrilled about seeing Rios again, especially since it’s clear that he’s hiding something from her. So much for Raffi’s request that he stay away from the good doctor. The crew rushes to Picard’s aid and Rios realizes that he knows exactly where they can take Picard, where no one will ask questions or require identification. She’s traded her oversized, dowdy clothes for this scarlet form-fitting dress. While everyone has cleaned up nicely for the event, Agnes’ transformation feels as though it goes hand-in-hand with the Borg Queen occupying part of her psyche. With time running out, Agnes lets the Queen “help” so the crew can safely get into the event without compromising the mission. Rios ( Santiago Cabrera), Picard, and Not-Laris ( Orla Brady) are waiting outside the event while Agnes ( Alison Pill) is trapped in the security room and dealing with her recent assimilation with the Borg Queen ( Annie Wersching).
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Before we get a full grasp on what’s happening, the episode shifts back 34 minutes-to before whatever happened to Picard. He has dreamlike flashbacks to his childhood, which have been prevalent throughout the series, but these feature far more terrifying images. Raffi’s story continues to be told with new episodes of Star Trek: Picard streaming Thursdays on CBS All Access.Star Trek: Picard Season 2's sixth episode, “Two For One,” takes a nonlinear approach to the unfolding plot, opening on Jean-Luc Picard ( Patrick Stewart) unconscious and bleeding from the mouth as the crew’s panicked voices surround him. We’re all human beings, with stories worth telling.” We’re all out here trying to do our best. And, in doing so, show that - not all of us are bad people. “But not only am I a woman of color,” Hurd continues, “but I can tell that story about all of us who have struggled similarly. She adds with a laugh: She’s vaping through it! I mean, I feel like we all need to be doing these days, just sayin’.” She’s really trying to do the right thing. She’s struggling - she’s haunted, she has vices. “I really like this character because she’s not perfect, even though she worked for an organization that, on the surface, appears to be. Whatever the future holds for Raffi, Hurd appreciates that she gets to play a character outside what’s expected from audiences when it comes to being a Starfleet officer. First on the call sheet sets the tone, and he is spoiling the younger actors because what they get to see is ‘our leader’ being kind. Loves the ensemble, and that includes the crew as well. There’s no weird hierarchy there because, I mean, he’s Patrick Stewart. Your ensemble member he’s just right there, acting with you. “As soon as you are working with him, he is your scene partner. “Every day, it’s like actor Christmas,” Hurd says. 1 on the call sheet, and all that implies, Hurd insists that was, refreshingly, not the case. “Patrick is impacted by that, and I just adore working with him.”ĭespite being No. Both actor and character have been affected by what’s happening in the real world, and in the one of Star Trek,” Hurd says. “Like Patrick, Picard, too, has grown in the time he has been offscreen. That experience, Hurd explains, provided a commonality for the two actors that helped fuel their on-set dynamic. That excitement carried over into her first appearance opposite Stewart, who, like Hurd, is playing a character who is no longer in Starfleet and struggling to re-enter parts of that life. So when you think about the stories that were told, using aliens and sci-fi to tell stories with themes like inclusion and immigration, I absolutely acknowledge and own my role in it.
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The first woman of color, in a position of power, on a TV show like this. So literally, when I got the job, I was like: ‘Oh my god - Uhura was literally involved in the first biracial kiss ever on television. “It was really important that we see ourselves represented in the arts.
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Hurd, who is biracial, stressed that viewing the series with her father, Hugh Hurd, who is a black actor, was more than just escapist viewing for her and her family. “Then I kind of had this flashback to my childhood, of my father having us sit around and watch Star Trek.” “I think I didn’t realize how important all this was until I got the job,” Hurd tells The Hollywood Reporter.
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